AG: What inspired you to do what you do?
BS: I like art. I started using wood because it was free and I didn’t want to spend money on materials, so I used what I could find in the woods. Then, it became part of my aesthetic and I continued to refine it.
AG: Did you go to school for art? Where and when?
BS: Started with my Associate of Arts from Surry Community College and finished at Guilford College where I graduated in 2016 with a BFA.
AG: What’s your background experience in wood and metal for art?
BS: I was mentored by a master woodworker and sculptor, Roy Nydorf, who I met at Guilford College. I learned from him and followed suit. Before college, I worked a lot in construction, which gave me knowledge of wood and metal. I learned to weld for for shits and giggles.
AG: Where do you get your supplies for the sculptures?
BS: All over–from the forest to the scrapyards to the local wood store
AG: How has your art changed over time?
BS: It’s gotten better. I continue evolving over time and I continue learning new techniques and skills. Now, I do more carving and work with smaller pieces.
AG: What medium do you most enjoy working with and why?
BS: Old Wood found in the forest–I like turning it into something beautiful again.
AG: What’s your favorite piece of artwork that is not yours?
BS: Ghost Clock by Wendell Castle. I first saw it in the Smithsonian when I was 18 and thought it was a clock with a cloth over it. I dismissed it as a joke. It wasn’t until after the trip that I discovered it was all carved out of one piece of wood.
AG: Describe a real-life situation that inspired you.
BS: Healing from childhood trauma and getting a chance to “recycle” my life with newfound love and beauty in the world.
AG: What jobs have you done other than being an artist?
BS: Preschool teacher (15 years), limo driver, bus driver, handyman
AG: What memorable responses have you had to your work?
BS: One art teacher said, “When you were my student I just didn’t know what to do with you”. A lot of people have been inspired by the emotion and my work and the message of healing
AG: What do you dislike about the art world?
BS: The political aspect–the hierarchy of the world
AG: What do you like about your work?
BS: It is constantly evolving
AG: What do you dislike about your work?
BS: The feeling that a piece is never truly finished
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Blessings,
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